Extra-curricular activities
Though all interested pupils need access to extra-curricular
activities, smaller group numbers and extension work are likely to
provide talented pupils with opportunities for individual
development. Dance clubs can provide useful time and space. These
can be modelled in different ways:
- Dance technique classes to foster technical and performance
skills
- Workshops to develop choreographic skills
- Youth dance companies to integrate both aspects
A range of participants within the club is important in dance,
encouraging the ability to:
- Adapt and share
- Develop ideas
- Respond sensitively to others
- Negotiate in a collaborative manner - which is likely to foster
creativity, particularly within choreography and appreciation
Although solo skills will be significant for some, in the main,
dance is a group activity. Talented individuals benefit from
working with other dancers, musicians, lighting designers, costume
designers, etc.
Working with professionals
Special projects can be introduced, such as professional
dancers/choreographers in residence, for short intensive periods or
long term. The latter may be more useful for high-level performance
skills which need consistent and careful repetition over time. A
residence can be used to benefit the whole cohort and provide more
challenging, in-depth tasks with target groups (self selected or
otherwise). For example, they could create a dance involving
complex choreographic devices, use a wide variety of styles to
challenge performance skills, provide opportunity for appreciation
of different choreographic practices, or use unfamiliar
dance-making techniques to develop new conceptual possibilities.
The professionals need not always be dance orientated, for example,
pupils could work with a lighting designer on the impact this has
on choreography. These experiences invigorate the pupils' own work
and lead into focused and in-depth appreciation. As with
instrumental teaching in music, one-to-one coaching or small group
tuition can also be relevant for dance. This may benefit talented
performers who need higher-level skill acquisition.
Mentoring
Mentoring can play a useful role. A student choreographer can
make work under the direction of a professional. Here tasks could
be open-ended and perhaps pupil selected. The high-ability pupil
will relish the challenge of setting his or her particular goals.
The professional assists but encourages individualised active
learning and self-reflection. Pupils also benefit from peer
mentoring schemes, for example, older pupils might provide feedback
for younger ones.
Theatre visits
Theatre visits provide opportunities for all pupils to make
judgements about, and research into, different choreographic
styles. Any tasks such as worksheets or writing reviews can be
differentiated. For example, explaining the impact of a costume in
relation to the meaning of the dance is more complex than merely
describing it. Outside visits might involve performing in
alternative spaces such as art galleries or shopping malls. These
would provide greater performance challenges than typical end-on
theatre spaces. They also present different choreographic
challenges too because the site and its potential will have to be
taken into account. Performance and choreography can be facilitated
by linking with other groups via the Internet. For example, two
institutions could work on one project: pupils might provide
ideas/tasks for each other; share research materials; talk to each
other via controlled chat rooms.